SAVE House, STOP Work

FACT: We all LOVE it! Then WHY is the iconic MELNIKOV HOUSE crumbling before us?

TWO reasons:
#1 – Complex ownership issue is preventing a) the allocation of funding, b) the organization of restoration work, and c) the conceptualization of the museum. This is effectively pointing fingers without any accountability. This reason is covered in the media and actively debated, BUT however much fault lies in reason #1, it is reason #2 that should get our urgent attention.

#2 – Construction work that is going on RIGHT NEXT DOOR is causing damage to the foundations of the house and new cracks have appeared since the start of the construction work back in August.

SEE for yourself just HOW CLOSE this construction work is to the Melnikov House:

“По поводу же дома Мельников экспертзы проводились и было установлено, что он не попадает в зону влияния строительства.” / “Regarding the Melnikov House an examination was conducted and it was found that it does not fall into the zone of influence of construction.”

Statements such as the one above ^ from BFM.RU, are without merit since as of the public debate “Melnikov House. Scenarios of fate” on December 11, it was brought up that an expert assessment of the damage to the Melnikov House still needs to be organized (i.e. has not happened yet!), and without this evidence, not much can be done to stop the construction work, which is still going on…

To spell it out, this is how I envision the effect the collected evidence should have:
LOOK LOOK! The construction work IS damaging the house, so STOP the construction work till we can figure out how to proceed without ruining this world-famous masterpiece of avant-garde architecture, something that truly is unique Russian architecture, something that is a must-see destination for many visitors to Moscow… something that if it fell down as a result of YOUR actions, well, it would tarnish not only your reputation, but confirm public and global opinion that scandals like this are common occurrences in Russia, which are shrugged off as if this is simply the way things go here.

A BAD IMAGE OF MOSCOW IS A BAD IDEA.
As Simon Anholt, an expert on branding areas, explained his vision of the brand of the city during the 2nd annual Moscow Urban Forum:
“A brand can make a lot of people think the same way. Public opinion, in the context of globalization, is the most powerful force in determining the economic development of cities. Our view of the city, even if we have never been there, becomes more important than reality, simply because we do not know the reality. It is precisely the image of the city that attracts tourists, investors, and the creative class, it is the image that helps cities be successful.”

SO WHAT IS CREATING A BAD IMAGE OF MOSCOW?
The dire situation of the Melnikov House that finds itself so close to a construction zone. (Not to mention that the demolition in August caused an outcry and the ongoing construction work is itself under suspicion of violating laws.)

Here’s what the situation looks like in diagram form:
diagram of Melnikov House and surrounding area

The above ^ diagram is from the book:
“Дом Мельниковых: Константина и Виктора,” Егор Егорычев
“House of the Melnikovs: Konstantin and Viktor,” Egor Egorychev
Get it HERE.

So it seems, that a STOP to the construction work would be pretty reasonable, absolutely necessary, and suspended immediately. Stop the work, let experts figure out the extent of the damage and then see how to proceed.

But the construction work / damage continues…

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Melnikov House, the debate!

Tuesday’s public debate “Melnikov House. Scenarios of fate” … explained a lot. Well, sort of. Here are some observations and notes I took down. Though my first choice would be to get lost in the streets of Moscow searching out and photographing architecture, it’s been terribly interesting, and unfortunately very frustrating, to follow the current situation of the architecture I am so fond of photographing. Here’s my take on some informal journalism, with some opinionated commentary of course:

A unique house, not a unique situation.

First off, I really enjoyed the moderator, A. M. Muratov, chief editor of «Проект Россия» (Project Russia). He masterfully weaved through the many disagreements and interruptions among the speakers. He also came to the conclusion that this is really a very ridiculous situation, and I’d have to agree. I hope to explain this statement by the following conveniently organized list:

1. No one denies the importance of the Melnikov House. Everyone wants what’s “best” for the house.

2. What’s stopping anything from being done, is a matter of ownership & accountability.
(a lot of finger pointing & shrugging of shoulders)


3. Ekaterina (K. Melnikov’s granddaughter currently living inside/protecting the famous house) very smartly pointed out that “we are having the wrong discussion.” Ownership issues need to be settled in court, and the urgent issue at hand is to stop the nearby construction. (I agree, it’s pointless to discuss the future of Melnikov House when its very existence is threatened by on-going construction work, next door)

4. Muratov asked this very logical question: how can the construction work be stopped? Answer: by showing the damage that Melnikov House has incurred as a result of the said construction work. What’s needed: expert examination/documentation of the damage. So it’s been agreed to have this organized and carried out, hopefully in the near future!

5. This was mentioned numerous times: охрана обязательство – protection obligations

6. One speaker tried to get at the root of the problem: What’s happening with the Melnikov House is not a unique situation (while the house itself is truly unique). The government seems to have a funny (not haha – funny, but strange – funny) attitude towards architecture as cultural heritage worth spending money on. Whereas in other parts of the world, historical buildings are viewed as an asset, it’s proven to be the exception not the rule here. As was written in a Moscow Urban Forum article not long ago, “Alexander Kibovsky, Head of the Moscow City Department of Cultural Heritage, admitted that Moscow is facing a problem: cultural sites are still thought to be a drag rather an asset.

7. What I can gather from all that was said, is that all parties are in agreement (agreement!) that the house should have ONE owner, and that one owner should be the government.

8. What’s curious, and this is pure opinion: if the government has admittedly not a very good record of protecting architectural objects, then why is everyone so eager to hand over everything to the government? Just because a building has a plaque on it that says “охраняется государством” (protected by the state) for some reason that does not equate to “охрана обязательство” (protection obligations) in practice. Now, if I were the government, and Melnikov House was one of my subjects that was under my protection, I’d be pretty mad that some ambitious new development project, is ruining my investment! Melnikov House should be viewed as an investment without a price; its value based simply on the idea of the house. Or in other words, the monetary value of the multifunctional complex to come should not outweigh the cultural value of Melnikov House.

9. Some other curiosities: if this was a public debate, why was it only publicized the day before the event? The public consisted of at most 30 audience members, plus speakers. Speaking of which, not only was the public not timely informed of this event, but Ekaterina (kind of a crucial personal in this situation, considering she is one of the owners) was not even invited to the event, and only when she herself decided to go listen to the debate, was she included at the last minute into the program as a speaker. Curious!

10. A good end to this list, is a comment from an audience member that can be summed up as, “less talking, more doing!” Agreed.

So, might I suggest a halt to the construction work while some things are sorted out? Give experts the time to do their examinations, and hey, it’s winter in Moscow, -20 promised next week, so why not give the construction workers a break too? Looks like a win-win for everyone! (except those eagerly waiting for the multifunctional complex + underground parking garage).

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Cultural Navigation

Last week I spent two days listening to discussions on city planning and urban development at the 2nd annual Moscow Urban Forum in Moscow. Of particular relevance and interest to The Constructivist Project was the session, Heritage: Cultural Value and the Economic Imperative. A summary of this session can be found here.

And inside the Moscow Urban Forum’s “Cultural Navigation” guide, I came across some interesting findings in the Places to visit section …

The suggested Places in the order listed are: Garage, ZIL Cultural Center, Polytechnic Museum, Red October, Strelka Institute, Melnikov House, Gorky Park, Skolkovo, Winzavod Contemporary Art Center, Multimedia Art Museum, Planetarium, Pushkin Museum of Fine Art, Russian Jewish Museum of Tolerance, Artplay Design Center. Bold – way to go buildings of the AVANT-GARDE! Taking into account that this was aimed at new-to-Moscow visitors of the Urban Forum and by the looks of it having a slant towards architecture unique to Moscow (avant-garde of the 1920s & 30s), the Narkomfin building or Shukhov radio tower likely would have been interesting places to visit, but considering Narkomfin’s ruinous condition and the chance that Shukhov tower might just fall down any day now (exaggeration for emphasis, see the previous entry Round Table: Architectural Heritage of Shukhov), I can see why they were left out of the list of “cool” places to visit. The Narkomfin building and Shukhov tower are internationally revered monuments of architecture and engineering, but due to their uncared for condition, are an embarrassment to show Moscow’s visitors.

Here are the ones that did make it into the list:

Melnikov House: A memorial to Soviet avant-garde architecture which is threatened with destruction. It is inhabited by descendents of the Melnikov family and it is very unlikely that you’ll be able to get inside. It is best viewed in the winter when the trees don’t block the view.
– It’s surprising and not surprising at the same that the Melnikov House made it on the list. Not surprisingly, it has long been a “must-see” destination for architecture enthusiasts visiting Moscow. But, it’s surprising that the Melnikov House is still included in the list when the overall tone is more akin to taunting a child with a candy and then saying to them, nope you can’t have it.


ZIL Cultural Center: A constructivist masterpiece created by the Vesnin brothers, which is currently being transformed into a large cultural center. Concerts, lectures, exhibitions and dozens of workshops for children — architecture and avant-garde, every day.
– An example of breathing new life into old buildings, ZIL is proving to be quite the place to be!


Planetarium: Having reopened after the longest refurbishment in the history of Moscow, the Planetarium lost some of the enchantment it had during Soviet times, but gained interactivity, a stereo-cinema, the largest dome screen in Europe, and permanent queues at the entrance.
– I think “lost some of the enchantment” is a nice way of saying “lost all of its historical authenticity,” but hey, now there’s a cinema!


Russian Jewish Museum of Tolerance: The newest museum in the city is devoted to the history of the Jewish people, with a focus on Russia. Designed based on the concept of “educational entertainment”, many of the exhibits are interactive and the exposition begins with a film in the 4D cinema.
– No mention whatsoever of the famous avant-garde building the new museum calls home, Bakhmetevsky Bus Garage by K. Melnikov and V. Shukhov.

Maybe I am looking too deeply into the meaning & significance of this list, but how can one ignore a guide by the enlightening name of Cultural Navigation?

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Panel Discussion: Architectural Heritage of Shukhov

On Monday I went to the Central House of the Architect to listen in on the panel discussion “The architectural heritage of Vladimir Shukhov in a modern city.” While I usually post photos, this time around I thought I’d share some of my notes as well since there were only about 20 people present at meeting. So please bear with me, there are more words than pictures in this post. I can’t claim to be an engineering expert, nor do I claim to be impartial observer. It was in fact a photo of Shukhov Tower by Alexander Rodchenko (see photo below, 1929) that set me on the path to become a photographer and enthusiast of avant-garde architecture. Logically, the fate of those structures that I love to photograph, in this case what I fondly refer to as my “favorite tower,” is of great importance to me.

The meeting was opened up with the chilling words,
“MAYBE IT SHOULD JUST FALL DOWN?”

This was not meant to wish ill to the tower, but in protest to make a point, in desperation to offer up the tower as a sacrifice. Two other well-known monuments of the avant-garde era also in “near-death” situations come to mind, the Narkomfin building and the Melnikov House. Either one of these could also serve as a regrettable sacrifice. As time drags on, and repairs aren’t made, arguments and ownership battles continue, and nothing gets done, while all those working hard to do something about it, and those near and far helplessly watching news story after news story reporting on that “famed [insert monument of architecture here]’s situation is just getting worse”… well one of these days, it might just fall down. That will be our lesson – a lesson of a loss that could have been averted. Despite this bit of digression, I do think the circumstances surrounding Shukhov Tower are not unique, and in fact shed light on the difficulties of preservation in Moscow.

As far as the fate of Shukhov Tower is concerned, time just keeps going by as there are continuing disagreements between groups involved, and funding and engineering obstacles prevent work from getting underway.

What was discussed throughout the evening can be categorized around 3 main themes:

1. PHILOSOPHICAL DEBATE: HOW DO WE TREAT SHUKHOV’S TOWER,
AS A SCULPTURE OR AS A FUNCTIONING PIECE OF EQUIPMENT?
– what would Shukhov do?
– restoration vs. reconstruction
– the tower as a sculpture and an engineering work of art, decorates the city, and is a symbol of that time period
– to view the tower from a historical viewpoint puts emphasis on its “museumification” and as one speaker put it, “to preserve the aroma of that time period”
– Can tourism save monuments of architecture?
– look to foreign examples of restoration projects, such as the restoration and commercialization of Zollverein Coal Mine Industrial Complex in Essen

2. TECHNICAL ISSUES: ENGINEERING OBSTACLES
– working at a height of 150 meters (wind factor & getting materials up to that height)
– proximity of nearby buildings
– feasibility of taking the tower apart in sections and moving to another location to do the restoration work
– estimate that 70% needs to replaced
– the metal used was what was available then, so is it supposed to be saved/protected?

3. FUNDING
– money allocated for restoration project way below actual cost of work
– monuments of architecture can only be restored in certain ways to retain their authenticity. To allow Shukhov Tower to be a UNESCO world heritage site candidate, special attention (translation: more MONEY) to methods and materials will need to be paid
– to receive federal money, the tower needs to have federal status, which in its current poor condition prevents it from getting federal status (see the problem?)

Some other comments that stood out to me:
“It’s embarrassing to stand next to it as it’s going to ruin” – this not only applies to the tower but other internationally recognized monuments (again, the Narkomfin building and Melnikov House come to mind)

“The tower is a diamond to give to next generations” – coming from 2 days of talks at the Moscow Urban Forum, several times Moscow’s asset of heritage & historic value was pointed out, and Shukhov tower easily falls into that category.


The proposals for how to go about the restoration work can be summed up as follows:
1. Take apart the tower in sections, move to a different location to do the repair work, and reassemble
2. Attach cable supports to stabilize the tower as work is done to it
3. Create a temporary structure around the tower for the duration of the restoration work


For what it’s worth, I was the most sold on option #3. Let me explain. The structure is only temporary. If scaffolding needs to built around it, might as well make the most of it. At the top of the structure, a viewing area is planned. And frankly, I think it’d be pretty neat to have the opportunity to see Moscow from such a height (and I think a whole bunch of tourists would as well, aka $!). Also, having an enclosed space would solve the problem of working at a height of 150 meters.

What’s frustrating is that while there is a consensus about the tower’s importance, an agreement on how to proceed is nowhere in sight. Despite sincere best intentions, inaction is not doing the tower any favors. And of course, sufficient funding wouldn’t hurt and neither would support from the authorities. If only the tower would have the same luck as new development projects: backed with lots of money, cut right through all the red tape, and executed with ambitious speed. I understand it’s no shiny and new Moskva-City, but the city of Moscow would not be the same without Shukhov tower in its skyline.

I REALLY HOPE THE TOWER DOES NOT FALL DOWN


Sometimes being a bit dramatic helps to get the point across…

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Shabolovka Excursion

P H O T O S from an excursion around Shabolovka neighborhood. October 27, 2012.












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Pretty in Pink (?)


Zuev Workers’ Club, 11.20.12

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House on the Embankment, at night

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Современная Архитектура

I recently acquired a reprint of the magazine “Современная Архитектура”
(“Modern Architecture”) printed by TATLIN. A wealth of information & many pictures!

“Modern Architecture” – an illustrated magazine by “State Publishing House”, was published in Moscow from 1926 to 1930 6 times a year. The magazine covered issues of contemporary urban design, residential, industrial and rural architecture, model design, history and theory of architecture and construction. Despite the short period of its existence, the magazine “Modern Architecture” – magazine – of the era. In its implementation the leading masters of the avant-garde were involved.
– Translation from TATLIN’s description of “Современная Архитектура”

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Shukhov Tower poster … disappearance

^Photo from December 2011: last year, in the midst of other famous towers, a poster of Shukhov Tower hung up on the wall right behind Shabolovskaya metro station, which is not far from the real tower.

^Photo from October 2012: now the poster has disappeared (red outline… like chalk markings at a crime scene), but why was the poster of this neighborhood gem removed? Hope it’s not foretelling for the real tower…

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