Building the Revolution

If you happen to find yourself in Madrid this summer, the exhibition
Building the Revolution. Soviet Art and Architecture 1915-1935
will be on view at CaixaForum (Paseo del Prado, 36) till September 18.
Definitely worth a look!

From the Press Release:
The Soviet State that emerged from the 1917 Russian Revolution fostered
a new visual language aimed at building a new society based on the
socialist ideal. The decade and a half that followed the Revolution was a
period of intense activity and innovation in the field of the arts,
particularly amongst architects, marked by the use of pure geometric
forms. The new State required new types of building, from commune
houses, clubs and sports facilities for the victorious proletariat, factories
and power stations in order to bring ambitious plans for industrialisation
to fruition, and operations centres from which to implement State policy
and to broadcast propaganda, as well as such outstanding monuments as
Lenin’s Mausoleum. Building the Revolution. Soviet Art and Architecture
1915-1935 illustrates one of the most exceptional periods in the history of
architecture and the visual arts, one that is reflected in the engagement of
such constructivist artists as Lyubov Popova and Alexander Rodchenko
and and Russian architects like Konstantin Melnikov, Moisei Ginzburg and
Alexander Vesnin, as well as the European architects Le Corbusier and
Mendelsohn. The exhibition features some 230 works, including models,
artworks (paintings and drawings) and photographs, featuring both
vintage prints from the 1920s and 30s and contemporary images by the
British photographer Richard Pare. Building the Revolution. Soviet Art
and Architecture 1915-1935, is organised by the Royal Academy of Arts of
London in cooperation with ”la Caixa” Social Outreach Programmes and
the SMCA-Costakis Collection of Thessaloniki. The exhibition forms part
of the Official Programme of PhotoEspaña 2011 and of the 2011 Dual Year
Programme from Spain to Russia and from Russia to Spain.

More information (Press Release in full, photos of exhibition, information on CaixaForum): http://press.lacaixa.es/socialprojects/view_object.html?obj=816,c,14261

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Nice View

The 160 meter Shukhov tower still remains visible in Moscow’s skyline:

View of Moscow, and Shukhov tower (center), from Park Vorob’evy Gory

View of Park Isskustv, and Shukhov tower (to the right of the Panasonic sign), from the Tretyakov State Gallery

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Today is the deed.

A few wise words of inspiration for today.

He who is busy today with the morrow is busy doing nothing.
And he who tomorrow will bring us nothing of what he has done
today is of no use for the future.
Today is the deed.
We will account for it tomorrow.
The past we are leaving behind as carrion.
The future we leave to the fortune-tellers.
We take the present day.

The brothers Naum Gabo and Antoine Pevsner, wrote those resounding words in 1920 in “The Realistic Manifesto,” which accompanied an open-air exhibition of paintings and sculptures on Tverskoy Boulevard, Moscow. With this text, they announced the arrival of Constructivist art.

Today we proclaim our words to you people. In the squares and on the streets we are placing our work convinced that art must not remain a sanctuary for the idle, a consolation for the weary, and a justification for the lazy. Art should attend as everywhere that life flows and acts … at the beach, at the table, at work, at rest, at play; on working days and holidays … at home and on the road … in order that the flame to live should not extinguish in mankind.

Naum Gabo and Antoine Pevsner

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VTsIK Residential Complex – 2

A couple more photos of the VTsIK Residential Complex.

It appears that the clouds like this building too!

A better view of the across-the-river neighbors, hi Kremlin!

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VTsIK Residential Complex

The VTsIK Residential Complex by Boris Iofan, which was formerly housing for top Communist Party functionaries, sits conveniently across across the river from the Kremlin. I chanced to cross paths today with this enormous Constructivist building, and couldn’t help but capture this monumental work against the backdrop of the approaching massive cloud.


VTsIK Residential Complex, Bersenevskay Embankment, Moscow

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Photo to silkscreen


A digital print of the Ruskaov Workers’ Club poster served as a blue print for making the silkscreen version of the poster. The poster was broken down into separations according to color, each color had its own separation. The separations for the text were straightforward but the continuous tonality of the photograph had to be deconstructed into the zone system, essentially. Ansel Adams would be proud.

Here’s how I did it:

1. photograph of Rusakov Workers’ Club

2. outline tracing

3. shading in outline according to photograph’s tonalities

4. translate shading into numbers: 1-red (text), 2-black, 3-dark grey,
4-medium grey, 5-light grey, 6-off white

5. paint by numbers: photograph to silk screened version complete!

And viola! Digital print -> hand traced separations -> many layers and hours later
-> silkscreen poster. First attempt at silk screening came with its difficulties (and ink stained hands for several days), but also with great satisfaction at making something with my own hands. I love how hands on this process is!

Rusakov Club, 19×25 inches

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Shukhov Tower

This photograph of Shukhov tower (Шуховская башня), also known as Shabolovka Tower, taken by Rodchenko in 1929, was the catalyst that got me excited about Rodchenko’s revolutionary style of photography, the 1920’s and Constructivism.

Alexander Rodchenko, Шуховская башня, 1929

I first photographed this beautiful piece of engineering art in the summer of 2009, 80 years after Rodchenko’s photograph. And it’s still an impressive piece of work!

Shukhov Tower, 2009

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Memorial to Rodchenko

Alexander Rodchenko (Александр Родченко) was the first photographer who really fascinated me, and turns out photography was just one of his many talents. He played a central role in the Constructivist movement, and is my biggest inspiration!

Memorial to Rodchenko, 2011
12×18 in stainless steel, silver gelatin print,
inkjet print, medium transfers, paint, gloss medium

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Pentax Upgrade

Recently purchased Pentax zoom 55-100mm lens, from 1.3 lbs to 2.7 lbs but with all the flexibility of a zoom lens (wide angle to normal)!

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Promos

Silk screened promos & business cards for the project:

Promo (front), 4.5×6 in


Promo (back)


Business cards (front), darkroom prints on Foma fiber paper + silk screen ink, 3×4 in


Business cards (back), Russian and English versions,
QR code scans to theconstructivistproject.com

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